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How do we get Megan Auman to Chicago? March 3, 2010

Posted by Deb Kosiba in Business, resources, social networking.

Megan Auman is a big cheese in the online crafting community.    She has a blog called Crafting an MBA where she shares her extensive crafting business knowledge with the rest of us crafters.  Go read it.  I’d say go now, I’ll wait, but her blog is so full of useful knowledge and excellent links to other resources, that you will be  a while and may forget to come back.

She recently posted that she is going to be offering a course called Business Basics for Artists, Makers & Designers.  It’s a 3 hour class covering all the business details that overwhelm all of us getting started in the crafty biz.

The problem is that it is in Pennsylvania.

So I responded to her post, half  joking “You need to bring this class to Chicago so I can take it.”

To my wonderful surprise, she responded “I’d love to come to chicago – any recs for guilds, schools, or groups i could work with to offer the class?”

Well, suddenly I felt like a guy who asks the girl who is way out of his league for a date, and the girl responds “Sure!”

Er, ah..stammer, um.  Wow!

The problem is that I’m really new to the Chicago crafting scene.  I started in December and I’ve been to one meeting of the Chicago Craft Mafia, and that’s about it.  I’ve also heard about The Chicago Style Crafters but I wasn’t able to attend their January meeting.   I haven’t been around long enough to have learned where all the great crafting resources are in the Chicago area yet.

So I’m asking the internet, because the internet knows all…Do you have any recommendations for guilds, schools, or groups she could work with to offer the class in the Chicago area?

You can leave any ideas you have here in the comments, or go to my contact page, or you can email me directly at deb (at) bigblued (dot) com.  I’d love to know what you know!


How many hats does an artist need to wear? March 2, 2010

Posted by Deb Kosiba in Business.

I had a busy weekend digging through emails, tweets, and comments on DeviantArt/LiveJournal/Facebook.  Sadly, this meant no new projects and no new thoughts on the process of art making.

But I did run across a great series of articles about the different roles an artist needs to take on to successfully run an artistic business. They are by M.C.A. Hogarth who somehow finds time to be both a successful artist and author.

The first article clearly defines the three roles an artist must take on to be in business as an artist; The Business Manager, The Marketer, and The Artist.

The second article explains the distinction between the piece of art and the products that can be made from that art.  It also discusses ways to motivate the artist in you to create new work.

The third article discusses how to find a business model that works best for you and how to work out how much time you need to dedicate to each of the three roles.

While the articles are not specifically aimed at 3D artists, or even SF&F artists, there is so much good information I felt I needed to share them here.  If you have an article about the business of being an artist, I’d like to know about it!

Ramblings on Pricing Your Work January 19, 2010

Posted by Deb Kosiba in Business, Convention Art Shows, online sales.

I hadn’t planned on having a post so soon after the last one, but I just ran across this post that was written today by Megan Auman, the creator of the Cozy Cuff, a reusable felt band for your take-out coffee cup.  In it, she talks about the conversation sparked over the price of her product.   It hit a hot button for me because stained glass is an expensive medium to work in which makes pricing even harder.  The first big question is…

How do you price your piece?

In this post, on her own blog, Megan gives a brief outline of what factors go into her pricing.  Not only does she include the cost of the materials and her time, but she factors in cost of living expenses! How dare she!

…um that is sarcasm, for those who can’t see my face as I type this.

In most start-your-own-business guides, one of the things they will have you do is write up a list of your expenses.  Materials, rent, insurance, equipment maintenance, salaries, travel expenses, etc. You add it all up and divide by the number of widgets you can make in a year.  The result is how much you should charge per widget.  But very often Art, and especially 3-D Art  gets the short end of the stick.

For some reason a potential buyer will look at your artistic widget and not care that it took you 20 hours to make.  Because it is art it shouldn’t cost what you really should charge.

  • Maybe it’s because they don’t understand the process, and teaching the consumer more about what you do will help them feel ok with paying a higher price?
  • Maybe it is because art isn’t a necessity and they have a  hard time justifying the expense for something that serves no purpose other than to make them feel good when they look at it?
  • Maybe in their minds they are mentally comparing it to (what they perceive as a)  the similar item they saw in the dollar store?

Selling on Price

So we compromise.  We want our pieces to sell so we start trimming the things we should build into the price.

  • It’s just a hobby and we do it out of our living room so we don’t need to charge for overhead.
  • We love it so much we’d be doing it anyway, and if it doesn’t sell it’ll just pile up, so we pay ourselves $2 per hour, if anything at all.
  • I made it from scraps leftover from another project so I don’t need to charge as much to cover the materials.
  • Fandom is poor and they are all my friends so I should trim it a little more.
  • I have a day job so it will be ok if I don’t make anything on it.

In the end, you finally have a price low enough that people buy it without hesitation or complaint.  But you don’t have a sustainable business.  It’s called Selling on Price and you should’t do it.

Pot, Kettle.  Kettle, Pot

In full disclosure, I sort of do sell on price myself.  Which is why this is such a hot topic for me.  I’m new to satined glass, been at it less than a year, and I’m still trying to figure out where my prices should be.  I currently charge $3-4 per piece of glass in a window.  A 3 piece suncatcher, $10.  A 60 piece panel, $180.  All other expense aside, that pays me about $10/hr. for my labor.  If you factor in the cost of the materials, it’s closer to $6/hr.  Not exactly a living wage.  Good thing I have a day job.

All those price slashing excuses?  Those are the ones I personally use in my own head to justify charging too little for my work.

Why don’t I charge more?

One of the laws of supply and demand says that you can charge only as much as the market can bear.  And the market price is dictated by what price others are charging.  For some Bizzaro reason, the majority of the other stained glass artists on Esty value their time even less than I do.  The going rate seems to be about .40 – $2 per piece.  So a window with 20 pieces of glass will often be listed for under $20.

I know how long it takes for them to cut, grind, foil, solder, patina, and polish each piece.  Not to mention the time it takes to photograph and list a window, or the percentage of the sale taken by Etsy and PayPal.   Even if they were getting the glass for free, they are still paying themselves less than $4/hr.  You can get better than that working retail.

So my “sort of” is that my prices are on the high end for stained glass on Etsy,  but still lower than I really should be charging.

I thought I was fine with it, but the more I read, the less fine I get.  I know I need to charge more but I haven’t made the mental leap to do it yet.

Maybe it doesn’t have to be this way

As for “What the Market will Bear?”  A quick poke around Etsy shows other hot beverage cup sleeves go for $5-8.  A hand knitted one may go for as much as $15.  The Cozy Cup?  $32.

Yes, $32.

That’s 2-6 times what the competition charges.  Not a few dollars more.  Two to Six Times More.

And yet she has had more than 300 sales.

No, I don’t know why.  I need to spend some time rummaging around her Etsy store and her web site to try to figure that out.  But believe me, when I have some idea, I’ll let you know.

But before I go, I have one more question.

Why is it worth more in a different category?

In her post she points out that her product is dual purpose.  It can be worn as a bracelet, and it can be used on your coffee cup.  In the comments, someone said “expensive for a cup holder but not for a piece of jewelery”.  Why is that?  Why is the same piece of laser cut felt worth more as a body decoration and worth less as a functioning item?

Another one I don’t have an answer for.  It’s a question I’ve been thinking about for a while, and I have a lot more to say on the subject, so I guess I’ll just have to write another post.

Talk to Me!

How do you price your 3-D SF&F Art?  Do you price different for Etsy than you do for conventions?  I’m trying to figure this out myself, and I’m sure many others are too.  Sharing your experiences will help us all do a better job at pricing our work.